

a half-time job un trabajo de media jornada. a full-time job un trabajo a tiempo completo.

English translation: The best improvisations are prepared beforehand. During the film, he had to fake both German and. The first famous part he played was Die Hard’s Hans Gruber, a coldhearted, German terrorist. He is a mature, English actor who has worked both in Theatre and in movies. Valentin Stejskal’s 5pm Seaside was awarded as the best short feature, while Valérie Pelet’s Augusts Orte got the award in the short documentary competition. Para hablar de tu jornada de trabajo, puedes usar las siguientes expresiones: a part-time job un trabajo a tiempo parcial. La mejor improvisacin es la que se prepara con antelacin. If I had to say who the best actor in the world is, I’d choose Alan Rickman. Soy Ingrid, soy Fabiola y soy Valeria., directed by Anna Spanlang, was deemed the best film in the Innovative Cinema category that covers innovative, experimental and animated cinema, and got the €8,500 prize from the City of Graz. Georg Friedrich was deemed the best actor, while the company Freibeuter Films was commended for its outstanding production services.ĬEREAL / Soy Claudia, soy Esther y soy Teresa. Joana Scrinzi got the award for editing, Crystel Fournier for cinematography, and Sebastian Meise and Thomas Reider for the best screenplay. Rodó en inglés en La vida secreta de las palabras, de Isabel Coixet y parece que tuvo que negarse a aparecer en El diablo viste de Prada junto a Meryl Streeppor no tener suficiente nivel. The audience prize complete with the check on €3,000 given by the Kleine Zeitung went to another documentary title, Andrina Mračnikar’s Disappearing, while Sebastian Meise’s Great Freedom continued its triumphant festival tour, adding five more awards to its tally. Ya sabemos que Javier es un actor como la copa de un pino pero si tuviera que actuando con textos de Shakespeare lo pasaría un poquito mal. The jury members Pierre-Emmanuel Finzi (filmmaker and distributor), Selina Hangartner (film critic) and Esther van Messel (producer) praised Derflinger's film for “the courage to play it straight with controversial material, for not being engrossed by prejudices, for the telling of a complex story driven equally by empathy and curiosity, for the artful compiling of scenes and sequences that are neither chronologically nor thematically arranged and yet follow a clear inner logic, for the great wealth of interviews and archives from all around the world creatively woven together, and for the chance to re-experience and re-comprehend history – and thereby tread lightheartedly into the future.” In the documentary competition, the top prize together with the check on €19,000 also provided by the Province of Styria went to Sabine Derflinger’s newest documentary Alice Schwarzer.
